REDLINE
PLAY AT THE LIMIT OF HUMAN SPEED
PLAY AT THE LIMIT OF HUMAN SPEED
The Out-Of-Time Hyper Speed Language Used By The Great Rock Soloists
FASTER THAN THE SPEED OF SOUND
The Out-Of-Time Hyper Speed Language Used By The Great Rock Soloists
WHAT THIS PROGRAM REALLY TEACHES
Redline teaches a completely different category of speed than normal metronome practice. This is not about pushing neat subdivisions faster and faster. It is about learning to launch out-of-time hyper-speed bursts that start in time, explode at maximum speed, and land exactly where they should.
WHY IT WORKS SO WELL
Every run in this course is built on the natural movements of your fingers. We are not forcing the hands to do something unnatural. We are using the fastest motion pathways available to the body, combining alternate picking and legato for maximum flow, speed, and ease.
WHAT YOU GET
A massive resource of 100 hyper-speed runs and licks, 6 dense modules, short solos, scale and arpeggio analysis, a step-by-step practice method, and 8 training tracks that show you exactly how to absorb this language and use it in your own rock soloing.
- REDLINE -
Unlock Flowing Hyper Speed Lines
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THIS IS NOT NORMAL SPEED TRAINING
Most speed work is built around metronome development. You take a phrase, push the tempo, and try to clean up 16ths, sextuplets, or triplets.
That is useful, but it is not what this course is about. Redline trains a different category of playing: the ability to launch hyper-fast bursts at the maximum speed your body can naturally produce.
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100 HYPER SPEED RUNS AND LICKS
Inside this program you get a huge resource of ultra-fast rock vocabulary. These are not abstract exercises. They are real runs and licks taken from the kind of improvisational language my brain actually uses when I play at extreme speed.
You get material you can immediately steal, study, practice, combine, and turn into your own sound.
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BUILT ON NATURAL FINGER MOVEMENTS
Every run in Redline is built around the fastest and most accessible movements available to the body. We are not fighting your hands.
We are using inbuilt motion patterns, efficient note groupings, and realistic physical pathways so fast playing becomes far more achievable than most players think.
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LEGATO PLUS ALTERNATE PICKING FOR MAXIMUM FLOW
The sound of true hyper speed is not stiff, rigid, or robotic. It flows. That is why we combine alternate picking and legato in the right proportions to create lines that feel smooth, fluent, aggressive, and musical.
This is the sound of modern melodic rock speed done right.
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FAST TWITCH PLAYING EXPLAINED PRACTICALLY
At very high speed, the body does not behave the same way it does during slower controlled playing. You begin to rely on rapid-fire muscular recruitment and reflexive motion patterns that resemble the fast twitch behavior used in explosive athletic movement.
In practical guitar terms, this means learning how to trigger the body's quickest available motion instead of forcing speed through effort and tension.
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6 MODULES PACKED WITH REAL MATERIAL
This is not a tiny concept course. You get six dense modules filled with licks, runs, practice instruction, analysis, and short solos that let you study how hyper speed actually behaves inside real musical phrasing. It is a deep resource you can use again and again.
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8 TRAINING TRACKS DESIGNED TO FIT THE MATERIAL PERFECTLY
You also get eight jam tracks that match the sound, phrasing, and harmonic environment of the runs. That means you are not left wondering where to use the material. You can immediately begin practicing and improvising with vocabulary that fits like a foot in a shoe.
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YOU WILL UNDERSTAND WHAT IS HAPPENING, NOT JUST COPY IT
We do not only learn the notes. We look under the hood. You will see what scales, arpeggios, connections, and mechanical principles are actually being used inside the runs, so you understand the structure and can build your own ideas instead of memorizing forever.
"Most players think hyper speed is reserved for the chosen few. It is not. If you use the body's natural motion and train the right kind of run, you can go far faster than you ever believed possible." - Claus Levin
WHY REDLINE EXISTS
Because Hyper Speed Is A Category Of Playing All Its Own
Another Category Of Speed
Most guitar speed programs train controlled subdivision playing.
That means you lock to the metronome and gradually increase the tempo.
That kind of training is useful, and I believe in it.
But it is only one side of the picture.
There is another category of speed that great rock players use all the time.
It is the sudden burst.
The hyper-fast run that is not measured as a neat little rhythmic subdivision from beginning to end.
It starts in time.
It ends in time.
But inside the burst, the body is simply moving as fast as it can.
That is what Redline trains.
That means you lock to the metronome and gradually increase the tempo.
That kind of training is useful, and I believe in it.
But it is only one side of the picture.
There is another category of speed that great rock players use all the time.
It is the sudden burst.
The hyper-fast run that is not measured as a neat little rhythmic subdivision from beginning to end.
It starts in time.
It ends in time.
But inside the burst, the body is simply moving as fast as it can.
That is what Redline trains.
Unlocking Explosive Speed
This is not about proving that you can play sextuplets at 190 BPM.
It is about unlocking the explosive speed language that makes solos sound dangerous, fluid, and larger than life.
When you hear top-level rock soloists erupt into a run that sounds almost beyond counting, that is the world we are stepping into here.
Not chaos for its own sake, but controlled musical eruption.
It is about unlocking the explosive speed language that makes solos sound dangerous, fluid, and larger than life.
When you hear top-level rock soloists erupt into a run that sounds almost beyond counting, that is the world we are stepping into here.
Not chaos for its own sake, but controlled musical eruption.
The Secret Is Not More Force
Most players try to force speed.
They tense up, push harder, and try to drag the fingers into a category of motion they are not ready for.
Redline takes the opposite route.
We use the natural movements already available in the hands.
We organize the notes in ways the body can execute more easily.
We combine picking and legato intelligently.
And we let the body do what it is built to do when the movement pattern is right.
They tense up, push harder, and try to drag the fingers into a category of motion they are not ready for.
Redline takes the opposite route.
We use the natural movements already available in the hands.
We organize the notes in ways the body can execute more easily.
We combine picking and legato intelligently.
And we let the body do what it is built to do when the movement pattern is right.
Fast Twitch In Guitar Terms
You could say that this course taps into the body's explosive speed mode.
In athletics, fast twitch fibers are associated with quick, powerful bursts.
In guitar playing, the practical parallel is this:
instead of treating speed as slow control pushed harder and harder, we learn to trigger a more reflexive, rapid, economical kind of movement.
That is why these runs can feel surprisingly easy once the pattern, fingering, and motion path are right.
In athletics, fast twitch fibers are associated with quick, powerful bursts.
In guitar playing, the practical parallel is this:
instead of treating speed as slow control pushed harder and harder, we learn to trigger a more reflexive, rapid, economical kind of movement.
That is why these runs can feel surprisingly easy once the pattern, fingering, and motion path are right.
THE TRANSFORMATION
From Fighting For Speed - To Unleashing It Naturally
Before Redline:
✓ You think hyper speed is only for gifted players
✓ Your fast runs tighten up and fall apart under pressure
✓ You may have decent metronome speed, but not that explosive out-of-time burst sound
✓ You do not know how top rock players build these runs mentally and mechanically
✓ You can play fast in moments, but you cannot reproduce it with confidence
After Redline:
✓ You understand the difference between subdivision speed and hyper speed burst playing
✓ You have 100 real runs and licks that show you how this language actually works
✓ You know how to use natural body movement instead of fighting your hands
✓ You understand the scale and arpeggio logic inside the runs
✓ You can launch far faster, more fluid lines in your solos with real intent and control
This course is not about becoming a robot.
It is about becoming the kind of player who can let a solo suddenly ignite.
✓ You think hyper speed is only for gifted players
✓ Your fast runs tighten up and fall apart under pressure
✓ You may have decent metronome speed, but not that explosive out-of-time burst sound
✓ You do not know how top rock players build these runs mentally and mechanically
✓ You can play fast in moments, but you cannot reproduce it with confidence
After Redline:
✓ You understand the difference between subdivision speed and hyper speed burst playing
✓ You have 100 real runs and licks that show you how this language actually works
✓ You know how to use natural body movement instead of fighting your hands
✓ You understand the scale and arpeggio logic inside the runs
✓ You can launch far faster, more fluid lines in your solos with real intent and control
This course is not about becoming a robot.
It is about becoming the kind of player who can let a solo suddenly ignite.
THE 6 MODULES
A Complete Hyper Speed Resource For Rock Soloing
Module 1 - The Redline Principle
We establish the core idea of the course: what hyper speed actually is, why it is different from metronome-based subdivision training, and how natural body movement becomes the foundation for extreme speed. You will understand the category of playing we are training and why it has been misunderstood by so many guitarists.
Module 2 - The Motion Pathways
Here we begin to work with the kinds of fingering choices, note layouts, and movement patterns that let the hands move with less resistance. The goal is not to impress you with complexity. The goal is to show you the fastest pathways the body can realistically execute.
Module 3 - The Hyper Speed Vocabulary Vault
You get a huge collection of real high-speed runs and licks that capture the sound of flowing melodic rock soloing. These are practical, playable, and highly inspiring. You will see exactly how each one works, note by note, slowly and clearly.
Module 4 - Short Solos And Real Context
This is where the runs stop being isolated fragments and begin to live inside actual musical phrases. You will work with short solo sections packed with hyper speed ideas so you can study not only the burst itself, but how it begins, where it lands, and why it sounds musical.
Module 5 - Scale And Arpeggio X-Ray
We look under the hood. What scale is being used? What arpeggio tones are being emphasized? How do these shapes connect? Why does the run sound so strong over the harmony? This module turns the material into something you deeply understand, not just imitate.
Module 6 - Practice System And Integration
You get my step-by-step method for absorbing this vocabulary and turning it into skill. How do you rotate the runs? How do you practice for control and then for burst speed? How do you take licks and make them your own? This is the integration module that helps the material become part of your actual soloing.
2 MASSIVE VALUE PROGRAMS INCLUDED IN THIS BUNDLE
Two Serious Companion Programs That Expand Your Speed & Control
THE FOUR MODES OF ROCK
Finally Understand And Master The Modes That Actually Matter In Rock Guitar
End The Confusion
Most guitarists have been exposed to modes at some point, but very few ever get to the point where they truly feel usable. What usually happens is that people collect shapes, memorize names, and try to force themselves to understand theory that never quite becomes musical reality.
So instead of feeling empowered by modes, they end up confused by them. This program is designed to solve that problem in a practical way.
From Theory To Real Musical Use
Inside The Four Modes Of Rock, I take the four modes that matter most in melodic rock and related styles and show you how to actually get them into your hands, ears, and soloing. Not just as concepts, but as sounds you can recognize, control, and use creatively.
This is not one of those courses that simply explains what Dorian, Phrygian, Mixolydian, or Aeolian are and then leaves you there. It is a training program. That means I show you how I approach the material, and then I guide you into a specific way of practicing it so you can internalize it instead of just hearing about it.
Make The Modes Feel Natural
You will begin to understand what gives each mode its emotional identity, how it behaves against rock harmony, and how to train it over jam tracks so the sound becomes natural to you.
The goal is simple:
to take something that often feels abstract and turn it into a usable part of your rock vocabulary.
If modes have ever felt vague, slippery, or more theoretical than musical, this companion program will clear the fog and give you a practical path forward.
The goal is simple:
to take something that often feels abstract and turn it into a usable part of your rock vocabulary.
If modes have ever felt vague, slippery, or more theoretical than musical, this companion program will clear the fog and give you a practical path forward.
SPEED BUNDLE PROGRAM 1
THE FOUR MODES OF ROCK
A Practical Modal Training Program For Rock Guitarists
WHAT IS INSIDE:
✓ Video lessons covering all important aspects of the four core rock modes
✓ A simple, practical system for understanding what the modes are and how they sound
✓ A specific training method so you can actually master them instead of just memorizing theory
✓ 20 training jam tracks built specifically for modal practice
✓ Companion written material to support the process
VALUE: $99
BREAKING THE SPEED WALL
A 200-Page Speed Problem Solver Based On 45 Years Of Practice And Teaching
Speed Problems Are Usually Not What You Think
Most guitarists who struggle with speed do not have a laziness problem.
They do not have a motivation problem either.
What they have is an obstacle problem.
They are trying hard, but they are pushing against invisible barriers they do not know how to identify.
It might be tension.
It might be inefficient finger motion.
It might be picking mechanics that do not fit the phrase.
It might be mental overload.
It might be practice strategies that look disciplined on the surface but are actually slowing development down.
A Troubleshooting Manual For Real Speed
Breaking The Speed Wall is a 200-page problem-solving manual built from everything I have learned over 45 years of playing, practicing, experimenting, analyzing, and teaching speed development.
Inside it, I lay out the most common causes of slow progress in fast playing and show you, step by step, how to deal with them.
This is not motivational filler.
It is not vague philosophy.
It is a practical troubleshooting guide for guitarists who want to know why speed is not developing and what to do about it.
Remove The Hidden Bottlenecks
The reason this companion program matters so much is that speed is rarely blocked by one simple thing.
Usually there are several issues interacting at once.
And when you finally learn to spot them clearly, progress becomes dramatically faster and far less frustrating.
This book gives you a way to diagnose the real bottlenecks, correct them intelligently, and keep moving forward instead of staying stuck in the same cycle for years.
It is the kind of resource you can return to again and again whenever you hit a wall and need precise answers instead of more guesswork.
SPEED BUNDLE PROGRAM 2
BREAKING THE SPEED WALL
A 200-Page Guide To Solving The Real Obstacles To Speed And Fluency
WHAT IS INSIDE:
✓ A deep breakdown of the most common obstacles to developing speed
✓ Practical solutions based on decades of real practice and teaching experience
✓ Clear guidance on tension, wasted motion, mechanical confusion, and poor training habits
✓ Step-by-step ways to solve the exact problems that stop fast playing from developing
✓ A long-term reference guide you can come back to whenever your progress stalls
VALUE: $49
THE TOTAL VALUE OF THIS BUNDLE
A Serious Hyper Speed Package, Not A Small Add-On Offer
When you combine everything inside this launch package, you are not getting a single course.
You are getting a complete hyper speed training ecosystem designed to develop both the mechanics and the musical language of extreme-speed rock soloing.
You are getting a complete hyper speed training ecosystem designed to develop both the mechanics and the musical language of extreme-speed rock soloing.
Redline - Hyper Speed Soloing
$299
The Four Modes Of Rock
$99
Breaking The Speed Wall
$49
$299
The Four Modes Of Rock
$99
Breaking The Speed Wall
$49
Total Value: $447
For this launch only, you do not pay $447.
You get the entire bundle for just $147.
That is a 66 percent launch discount, available only during this opening window.
Instead of piecing together speed training from scattered sources, this bundle gives you the mechanical system, the musical language, and the problem-solving manual needed to break through speed barriers and build truly explosive rock soloing.
MASSIVE BUNDLE - MASSIVE VALUE
3 PROGRAMS AT A SPECIAL 66% DISCOUNT
WHAT YOU RECEIVE INSIDE REDLINE
A Complete Hyper Speed Soloing Resource For Rock Guitarists
- 6 dense modules focused on real hyper speed playing, not generic speed talk
- 100 hyper speed runs and licks based on natural finger movement and efficient motion pathways
- Short solo studies that show how extreme speed actually lives inside musical phrasing
- Step-by-step slow breakdowns so every note is clearly teachable and understandable
- Scale and arpeggio analysis so you know what is really happening inside the runs
- 8 matching jam tracks built for the exact kind of vocabulary used in the course
- A practical method for absorbing, rotating, and integrating the material into your own improvisation
- A clear distinction between in-time subdivision speed training and out-of-time hyper speed burst playing
This is not a small lick pack. It is a complete deep dive into one of the most exciting categories of rock soloing.
- 100 hyper speed runs and licks based on natural finger movement and efficient motion pathways
- Short solo studies that show how extreme speed actually lives inside musical phrasing
- Step-by-step slow breakdowns so every note is clearly teachable and understandable
- Scale and arpeggio analysis so you know what is really happening inside the runs
- 8 matching jam tracks built for the exact kind of vocabulary used in the course
- A practical method for absorbing, rotating, and integrating the material into your own improvisation
- A clear distinction between in-time subdivision speed training and out-of-time hyper speed burst playing
This is not a small lick pack. It is a complete deep dive into one of the most exciting categories of rock soloing.
Q&A - EVERYTHING YOU NEED TO KNOW
Is this the same as normal speed training with a metronome?
No.
Metronome training develops your ability to play clear subdivisions in time at increasing tempos.
That is valuable, but Redline trains another category: the ability to launch explosive hyper-fast runs that begin and end in time while the burst itself moves at maximum body speed.
Metronome training develops your ability to play clear subdivisions in time at increasing tempos.
That is valuable, but Redline trains another category: the ability to launch explosive hyper-fast runs that begin and end in time while the burst itself moves at maximum body speed.
Do I need to already be a very advanced player?
You should already have a decent technical foundation and some experience with rock soloing.
This is not beginner material.
But you do not need to already be a monster player to benefit from it.
The whole point of the course is to show you a more accessible way into extreme speed.
This is not beginner material.
But you do not need to already be a monster player to benefit from it.
The whole point of the course is to show you a more accessible way into extreme speed.
What styles does this fit?
Melodic rock, shred, neoclassical rock, hard rock, fusion-rock, and other styles where fluid high-speed burst playing creates excitement and drama.
Will I understand the theory behind the runs?
Yes.
We look at the scales, arpeggios, and structural ideas inside the runs so you understand what is happening and can use the concepts creatively in your own playing.
We look at the scales, arpeggios, and structural ideas inside the runs so you understand what is happening and can use the concepts creatively in your own playing.
Do I get tabs and slow demonstrations?
Yes.
Everything is tabbed out, and I show you very slowly how to play the material so you can see exactly what is going on.
Everything is tabbed out, and I show you very slowly how to play the material so you can see exactly what is going on.
Do I get jam tracks?
Yes. You get 8 jam tracks designed specifically to fit the runs and licks in the course, so you can immediately apply the material musically.
Is there a guarantee?
Yes. You have a 30-day, 100 percent money-back guarantee.
If you do not feel this program is right for you, you get your money back. No questions asked.
If you do not feel this program is right for you, you get your money back. No questions asked.
When do we begin?
We start on Wednesday the 18th.
That is when we dive into Module 1 and begin the Redline process together.
That is when we dive into Module 1 and begin the Redline process together.
IMAGINE WHAT HAPPENS WHEN THIS LANGUAGE ENTERS YOUR PLAYING
The Solo Suddenly Opens Up In A Whole New Way
The Moment Everything Changes
Imagine sitting down to solo and knowing you can suddenly erupt into a run that sounds wild, fluid, and impossible to ignore.
Imagine not faking speed anymore, but actually feeling the body move at a different level.
Imagine understanding why the run works, where it comes from, how it lands, and how to use it again tomorrow in a different way.
This is the moment where speed stops feeling like a struggle and starts feeling like freedom.
Imagine not faking speed anymore, but actually feeling the body move at a different level.
Imagine understanding why the run works, where it comes from, how it lands, and how to use it again tomorrow in a different way.
This is the moment where speed stops feeling like a struggle and starts feeling like freedom.
What Begins To Disappear
✓ The frustration of pushing harder and harder without getting faster
✓ The feeling that extreme speed belongs only to “gifted” players
✓ The awkward stiffness that appears whenever you try to play fast
✓ The uncertainty about how those explosive rock runs are actually built
✓ The sense that speed is random instead of something you can control
✓ The feeling that extreme speed belongs only to “gifted” players
✓ The awkward stiffness that appears whenever you try to play fast
✓ The uncertainty about how those explosive rock runs are actually built
✓ The sense that speed is random instead of something you can control
What Starts To Appear Instead
✓ The ability to launch explosive hyper-speed bursts exactly when the solo needs them
✓ A new level of confidence when you approach fast passages
✓ The feeling that the guitar suddenly moves with you instead of against you
✓ A deeper understanding of how extreme speed phrases are actually constructed
✓ The freedom to ignite a solo whenever the music demands it
✓ A new level of confidence when you approach fast passages
✓ The feeling that the guitar suddenly moves with you instead of against you
✓ A deeper understanding of how extreme speed phrases are actually constructed
✓ The freedom to ignite a solo whenever the music demands it
A Different Kind Of Speed
Redline does not just teach you to play faster.
It gives you access to a completely different category of speed — the explosive burst language that makes modern melodic rock solos feel alive, dangerous, and electrifying.
Once you understand this language, you do not have to wait for speed to appear by accident.
You can trigger it deliberately.
You can shape it.
You can land it exactly where the solo needs impact.
It gives you access to a completely different category of speed — the explosive burst language that makes modern melodic rock solos feel alive, dangerous, and electrifying.
Once you understand this language, you do not have to wait for speed to appear by accident.
You can trigger it deliberately.
You can shape it.
You can land it exactly where the solo needs impact.
The Real Reward
The real reward is not just speed.
It is the feeling that your soloing suddenly has another gear available whenever you want it.
The moment where the guitar stops resisting and starts erupting.
It is the feeling that your soloing suddenly has another gear available whenever you want it.
The moment where the guitar stops resisting and starts erupting.
If you want access to that language, join the launch now and experience what happens when hyper-speed finally becomes part of your musical vocabulary.
THE TOTAL VALUE OF THIS BUNDLE
A Serious Hyper Speed Package, Not An Add-On Offer
When you combine everything inside this launch package, you are not getting a single course.
You are getting a complete hyper speed training ecosystem designed to develop both the mechanics and the musical language of extreme-speed rock soloing.
You are getting a complete hyper speed training ecosystem designed to develop both the mechanics and the musical language of extreme-speed rock soloing.
Redline - Hyper Speed Soloing
$299
The Four Modes Of Rock
$99
Breaking The Speed Wall
$49
$299
The Four Modes Of Rock
$99
Breaking The Speed Wall
$49
Total Value: $447
For this launch only, you do not pay $447.
You get the entire bundle for just $147.
That is a 66 percent launch discount, available only during this opening window.
Instead of piecing together speed training from scattered sources, this bundle gives you the mechanical system, the musical language, and the problem-solving manual needed to break through speed barriers and build truly explosive rock soloing.
MASSIVE BUNDLE - MASSIVE VALUE
3 PROGRAMS AT A SPECIAL 66% DISCOUNT
© 2019 Claus Levin
